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The Heron's Nesta haikai journal ...
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Volume IV, Valentine Awards:
February 2002.
Overview Readers' Choice Most Popular Poet Editors' Choice |
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READERS CHOICE POEM OF THE YEAR
Connie Donleycott
crowd of umbrellas
At its surface, this haiku delivers an easily understandable urban scene. The wording is light and direct, and there is a bit of surprise. Umbrellas are bunched together, obscuring their bearers. We see umbrellas gather, not people. They are wet and shiny. Perhaps this is at a street corner, pedestrians awaiting the light change. And yet . . . in this crowd scene, the poet indicates one who is different, a child. Crowd of umbrellas won The Editors Choice Award for the June issue. In his June commentary, Christopher Herold shed light on many aspects of this haiku. One viewpoint was (to quote him): . . . adults armoring themselves against the rain, probably without a second thought. But the child, not yet tamed, revels in life, in the feel of raindrops. He is unconcerned if he gets wet. Even if this boys parents packed a compact umbrella in his backpack, it is unlikely he would use it. Umbrellas are a tool of grownups, a symbol of responsibility and preparedness. One underlying metaphor of Connie Donleycotts poem focuses on conformity versus non-conformity. As Christopher Herold indicated, the child is not yet acculturated to avoid the rain. I also reacted this way to the verse but followed several other directions. There is a sense of anonymity as well as conformity. The surrealist painter, René Magritte (18981967), is known for the prominence of both umbrellas and the so-called Magritte men in his paintings. The latter are dressed identically in black suits and bowler hats. They are faceless. In Golconda (1953), Magritte painted many of these men falling as if rain. In an interesting synthesis of the haiku and my memories of these surrealist images, I supposed a Magritte with suited, hatted men, all sporting umbrellas. There is no such painting in fact, but I saw it within this haiku. Christopher Herolds commentary points out several more perspectives. That there are so many ways to see crowd of umbrellas is in itself delightful. I see it in still other ways. The power of season seems quite prominent. All we are given is the word rain, but the boy opens his face to it; it is not something uncomfortable. In regards to a sense of season, the key word is opens. The context this word creates transforms rain into a soft summer rain; there is a voluntary opening. Looked at closely, the word opens is decidedly poetic in this context. Nearly too much so, but it is a quiet word and slips into the reader like a smooth wine slips past the tongue. An alternate interpretation is that the boy is a person of any age, but one who, like Wendy and Peter (in Barries Peter Pan), still believes as a child believes. There may be a few poets among the crowd in Connie Donleycotts poem perhaps even haiku poets. Such folks see the world with a poets eye. Haiku poets live with feelings of season. They are attuned to the rhythms of nature and appreciate a summer rain. Lets all turn our faces and our poets eye to the world of wonder. One in a crowd. Congratulations to Connie Donleycott. Her haiku is also one in a crowd. |
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