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The Heron’s Nest

a haikai journal ...

 

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Volume VI, Valentine Awards: February, 2004.
Copyright © 2004. All rights reserved by the respective authors.

Overview •  Reader’s Choice - Poet of the Year •  Favorite Poets •  Reader’s Choice - Poem of the Year •  Favorite Poems •  Editor’s Choice - Poem of the Year •  Favorite Poems •  Special Mentions •  Notes from Voters


2004 VALENTINE AWARDS
Overview
Readers’ Choice —
Poet of the Year

John Stevenson
Readers’ Choice —
Favorite Poets

Connie Donleycott
vincent tripi
Allen McGill
Readers’ Choice —
Poem of the Year

Connie Donleycott
Readers’ Choice —
Favorite Poems

vincent tripi
Allen McGill
John Stevenson
Editors’ Choice —
Poem of the Year

Carolyn Hall
Editors’ Choice —
Favorite Poems

Timothy Hawkes
Connie Donleycott
Special Mentions
Notes from Voters
 

Readers’ Choice — Poem of the Year



Connie Donleycott

creak of the swing . . .
my feet still reach
the sky

Connie Donleycott

From the first reading many months ago, Connie Donleycott’s “creak of the swing” has nourished my spirit. It becomes increasingly expansive and satisfying over time, holding true and inviting new layers of association.

The long “e” sounds creak their way to what is surely a clear spring sky. Subliminally the sound suggests bones that have known the rigors of a good number of winters. That is all the more reason for exuberance as the swing rises and youthful pleasure returns. The long “i” rhyme of “my” and “sky” melds self and infinite space, personalizing the limitless possibilities the haiku celebrates.

Maybe the poem harks back to earliest childhood when a loving parent pushed the swing and encouraged Connie to see her feet “reach the sky.” Maybe she formed the phrase later on when she could control the motion herself, pushing against the ground and then lifting her legs to arc higher as she gained strength and skill, experiencing the wonder of the universe and of her own achievement. Maybe language has only recently joined the sensation, bringing with it the symbolism of joyful capacity and continuing potential. Whatever their origin, the words are just right.

As a rule of thumb, first-person pronouns in haiku require great skill. They can overemphasize the ego or close readers out of the experience described. On both counts the opposite is true here. Gentle humor infuses the poem, exposing and universalizing the self-test. Success and delight bring the reader right in, first with a cheer of “Go, Connie!” and then with a compulsion to swing along.

The haiku rocks some paradigms. Certainly, well-grounded people (and poems) deserve admiration. That a person has his “feet on the ground” communicates his good sense and reliability. I can’t fault the wisdom of well-wishers who, from time to time, advise me to get my head out of the clouds and come down to earth and realistic expectations. No one ever told me to get my feet out of the sky, though! Relishing the image of Connie’s up there, I enjoy a broad grin, once more becoming an observer and then a participant in the 2003 Poem of the Year. I commend the voters who selected it and invite all readers to return to it again and again.

— Peggy Willis Lyles

 

   

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